10/14/2016

Part I: Bioethics meets Hidden Figures at Mind the Gap “When you strike woman you strike rock”

Elizabeth Gabler (President, Fox 2000)

Mind the Gap HIDDEN FIGURES Panel

Hidden Figures is a fiction film adapted from Margo Lee Shetterly’s nonfiction book by the same  name. It is about a group of African American women who are mathematicians. As if that were not exceptional enough, they work for the National Aeronautics and Space Administration (NASA) at Langley, Virginia. But— wait for it— in the early 1960s. A true story— 

This movie is an homage to women taking their rightful place in the history of science, technology, engineering and maths (STEM). However, now understanding ‘art’ unleashes scientific capacity — this film about Sci-tech is also about STEAM. It is no accident most of the women depicted in the book and film were educated at Historically Black Colleges and Universities known then, and now, for pushing students to excellence in all fields. 

Hidden Figures focuses on a small pertinent aspect of the source book— how a cadre of Black women helped launch the Mercury 7 astronauts. Set in 1961, the back drop is a pivotal period in the United States civil rights struggle, the imbalances of the Cold War, and the peri-WWII legacy pushing women into the previously male dominated work force. The collaboration between the characters in the film mirrors that of the production team which developed the project. 

The California Film Institute, parent of the Mill Valley Film Festival (MVFF), has an ongoing initiative to improve the status of women behind the camera in the film industry. The initiative is called Mind the Gap. At MVFF39, October 8, 2016, Mind the Gap programing provided a sneak preview and panel dialog about Hidden Figures. Film professionals working on the project were present for a chat hosted by Variety’s Melina Saval. Participants included Elizabeth Gabler (president, Fox 2000), Mimi Valdez (Executive Producer), Mandy Walker (director of photography), and Marissa Paiva (Vice President, Fox 2000). These production partners and crew are deeply committed to providing a platform for the best films about and by women in a racially, culturally and gender expansive context. They are being the change they want to see.

The phrase that comes to mind about Hidden Figures is “When you Strike Woman you strike rock.” That’s a calculated intertextual reference to women’s struggle inserted by the filmmakers. The screenwriter, Allison Schroeder, and director of photography Mandy Walker along with Melfi, made fine compositional and emotional choices. Among those choosing a well informed visual aesthetic. DP Walker explained, during the Mind the Gap session, research included exploring the documentary series Eyes on the Prize; works of Concerned Photographer Gordon Parks; and those of Student Nonviolent Coordinating Committee photographer Danny Lyons

Hidden Figures. http://www.imdb.com/title/tt4846340/ accessed October 11, 2016

The Congressional STEAM Caucus. http://stemtosteam.org/events/congressional-steam-caucus/ accessed October 9, 2016.

Shetterly, Margo Lee.  https://www.harpercollins.com/9780062363596/hidden-figures accessed October 8, 2016


Mind the Gap http://www.mvff.com/mind-the-gap/ accessed October 2, 2016



Part II: Bioethics meets HIDDEN FIGURES - A Peace Genre Film

Hidden Figures Panel Mind the Gap: (In no order)  Melina Saval (Variety), Elizabeth Gabler (president, Fox 2000), Mimi Valdez (Executive Producer), Mandy Walker (DP), Marissa Paiva (Vice President, Fox 2000), Zoë Elton (Director of Programming), Mark Fiskin ( CFI Executive Director)
HIDDEN FIGURES is a high concept film, but not unbearably weighted. Instead, writer Director Theodore Melfi’s exquisite ensemble animates this inspirational focused story with humor as well as purpose. These are after all the things daily helping people survive oppression. Among the actors are Taraji P. Henson, Octavia Spencer, Janelle Monáe, Kevin Costner, Kirsten Dunst, and Jim Parsons. For my money — it is a Peace Genre film.

HIDDEN FIGURES is important because it speaks to the lives of ordinary working people. In this case in a Black American community. They are not the most deprived, not the wealthiest. Depicting social and environmental justice only in the context of brutality desensitizes viewers to the subtle degradation which wears away at a persons potential. Violence brings in the box office, but where are the rest of the stories? Is the only drive for a better life defense of ones lowest level of the Maslow Scale — food and shelter? Evidence suggest otherwise and so does HIDDEN FIGURES. 

There is an on going dialog between film and social responsibility. Part of this dialog is stimulated by the technology of the art of film and the function of the brain. Our movie memory seems to go where our actual memory is stored. Over time our life understanding seems blurred with the stories and films we have seen mixed with those we have lived. That’s how film works at its best. We know what resonates consciously but we are less sure of the unconscious.

How is Hidden Figures good for understanding Bioethics? The tendency is to focus on the justice or injustice issues raised by the film and its times. The more bioethics relevant dialog occurs around beneficence — in the use of science and technology and film. Beneficence is, for simplicity sake — doing good with what we know, knowing what we do not know, and expanding knowledge through research. More concisely, beneficence is equivalent to scientific integrity. The film’s plot quickly ranks scientific beneficence concerns over autonomy or justice. 

The main character runs the risk of loosing her job and castigating other sisters in the workplace, by expressing her considerable mathematical capacity. The choices she makes are moral choices driven by good science. Just as in all applied bioethics, like clinical medicine, understanding the obligation to do good with science, including the science of film, yields decisions which also come closer to achieving autonomy and justice. 

Hidden Figures adds grist to US Congressional Caucus on STEAM ( Science, Technology, Engineering, Arts and Math.) The hop is this initiative will create the next generation of brilliance in pure and applied scientist — one with consciousness at the forefront, and improved representation across race, class, gender and culture. Most importantly, Hidden Figures supports scientific exploration in service of honesty. Enough well developed minds may eventually help us understand — the full potential of the art and science of film. 

Support Hidden Figures and other films in the peace genre by seeing it in the theater rated PG, Christmas Day 2016, in 13 cities. The full roll out will be in January 2017.

Hidden Figures. http://www.imdb.com/title/tt4846340/ accessed October 11, 2016


The Congressional STEAM Caucus. http://stemtosteam.org/events/congressional-steam-caucus/ accessed October 9, 2016.

Shetterly, Margo Lee. https://www.harpercollins.com/9780062363596/hidden-figures accessed October 8, 2016

Mind the Gap http://www.mvff.com/mind-the-gap/ accessed October 2, 2016

Williams, S. Justice, Autonomy, and Transhumanism: Yesterday. In: Colt H., Quadrilli S., Friedman L., Editors. The Picture of Health. New York: Oxford University Press. 2011. p. 84-89

Williams, September. “Bioethics at the Movies.” Review of Bioethics at the Movies. ed. Sandra Shapshay. The Journal of Bioethical Inquiry. vol 7 Issue 3, pp 329-331.